“The Yat Malmgren technique gives an actor an inner roadmap that helps create characters they never knew were possible; to transform, yet always come from a deep place of personal truth.”
Based on the extraordinary acting method developed by Yat Malmgren, YBC offers the first ongoing training program in Character Transformation in North America.
12 Week Term
September 9 - November 27
OVERVIEW: FALL TERM
Guided by Tom Bentley-Fisher, one of Yat’s last private students, participants will discover how to celebrate their own unique gifts as well as discover and develop their less familiar inner resources. The wonder of this approach is how it transforms the actor into unrecognizable characters, but always from a place of deep personal honesty.
Through the specificity of this technique, participants will create and perform scenarios designed to bring new combinations of energies to their work, expanding that to the inner energy below the text, and receive the Yat notes in the original manner as they were handed down to Tom.
This approach is for those who truly wish to ‘transform’ through gaining the ability to meet the character from inside themselves, experiencing the world through the portal of the character’s eyes. Artists who learned the Yat work include: Sean Connery, Anthony Hopkins, Tom Hardy, Patricia Neal, Helen McCrory, Colin Firth, and Emilia Clarke.
All classes pay specific attention to finding emotional freedom through swings.
Classes are offered in person in the SF Bay Area, LA and on Zoom.
Questions? You can also reach out directly to team (at) yatbentley.com. We look forward to speaking.
NEW TO THE YAT/BENTLEY METHOD?
There may be pay-what-you-can Introductory & Special Workshops and Intensives coming up:
WHY SWING?
If everything is revealed in moment, the conscious and the unconscious, then entering the external energies of movement can open and reveal inner resources for the actor. Swinging is not so much about an external freeing - it is a swinging through the inner.
Since working with Yat, I have developed many swinging exercises that can help an actor free the knots that often get in the way of deep work. I still get calls from artists I’ve worked with forty years ago, letting me know they are still swinging, not only because the swings help free the emotion (free flow) as we go into performance, but that they also take us to new energy sources that help us see the world from new perspectives, softening the armour we often carry with us through life.
When directing Catalan actresses in an all-female version of the Iliad in Barcelona, we spent a month using the swings in physical exploration through the swings before we entered the creation of the play. What we did opened a universal language of ‘sensation’, allowing us to begin the internal exploration of this epic story, taken from the perspective of peace rather than war.
I have had general managers in theatres I’ve run wondering why I’m spending an hour swinging with the actors in the lobby when we’re paying them a good equity salary to create a production on stage. And my response is easy - because in order to great creative work, we must be open to all internal possibilities, free in our emotion life, and be at one with the present. That’s when we move forward with joy and adventure, rather than carry our personal resistances on stage, battling them through the day.
IN THE SWING:
We experience our personal ebb and flow. For every action there is a release, as in all good acting.
We feel the beauty of chaos and the wonder of ‘surrendering the in-between’. Unbalance leading to balance. Chaos to understanding.
We meet our resistances, rather then spend our energy keeping them buried.
We free our psychological knots though gentle recognition, rather deliberate force.
We experience the child in ourselves, the same one who couldn’t stop the gentle swing, waiting on the steps for the best friend to come over.
We step out of the ‘pocket’ of ourselves and feel the ‘enormity’ of our engines.
We can experience our power through yielding.
We leave our heads and trust our instincts, because swinging is actually effortless.
We can use the swing to help prepare us for specific character choices.
*A few years ago I had forty days of radiation treatment for Cancer. I spent a lot of time thinking about the circles of energy swinging through us, as I lie motionless in the machine. I loved that time. When I emerged it was the first day of shut down in Canada due to Covid. So I went online and began swinging, with themes, for about forty sessions. I didn’t charge anyone to show up, they just did, and by the end of those sessions I was swinging with people from all around the world. How great was that? If it was half as healing for them as it was for me, what a miracle! -Tom
You can check out those sessions below:
WHO’S | WHO?
WHO’S YAT?
Yat Malmgren revolutionized the way acting was taught in England. Originally a famous interpretive dancer, he developed a technique for theatre artists based on the psychological theories of Carl Jung (Sensing, Thinking, Intuiting and Feeling) and the work of Rudolph Laban. Together with influences from the most truthful variations of Stanislavski work in America, he forged a new approach to the actor’s training, creating a dynamic and very specific roadmap that opens the actor to subtleties of character transformation, that state of performance where the actor is unrecognizable yet coming from the essence of a a deep inner truth.
Yat’s work was the inspiration for Drama Centre London where some of the finest actors and directors in Britain trained in his work. Actors and Directors taught privately by Yat and at the Drama Centre include Sean Connery, Anthony Hopkins, Colin Firth, Helen McCrory, Peter Brook, Tom Hardy, Patricia Neal, Michael Fassbender, Simon Callow, Frances de la Tour, and Tony Richardson.
WHO’S BENTLEY?
During the early 1970’s, twenty-two year old Tom Bentley-Fisher had the enormous good fortune to be one of the 16 students Yat took privately through the work. Tom had already been acting on major Canadian stages, including being part of the company ensemble at Toronto Workshop Productions, as well as studying with some of the best teachers in North America, including Sanford Meisner. But somehow he knew he had not found the work that could feed him during his career, the kind of work that digs deeply into the intricacies of the enormous life forces existing in the interior of character, sometimes creating havoc with the outer, sometimes harmony, but always welcoming the unknown at every twist and turn. So he met Yat. And to his great surprise Yat took him under his wing immediately.
Throughout Tom’s career as a director, teacher, novelist, and artistic director of theatres in Canada, the U.S. and Spain, Tom has carried Yat’s work with him. Celebrating and watching the growth of actors and emerging artists in a technique based in such incredible humanity and optimism, is the best. And it’s never short of revelations!
“As an artist and teacher, I discover new and deeper levels in Yat’s work every day. And what a gift it is to watch the actor grow, discovering aspects of themselves they never knew possible, and engaging in the magic of true transformation.”
PRIVATE LESSONS
The YBC Teaching Company is also available for one-on-one private coaching in the Yat/Bentley Method, Feldenkrais, and Voice. See our One-on-One Classes page or Contact Us for more information about available times and rates. In Los Angeles Tom is accepting in-person private students at Seydways Studios on Thursday afternoons.
Private students can book online private sessions on Tuesdays and Thursday during the term.